src:
spreadsheet:
https://drive.google.com/file/d/0B543p5wfySTQa2Y0UzF4ei1KaUE/edit?usp=sharing
notes:
14'7/20 :
- Practice mode 基於251
--
左手: 根音,
右手: 原位,1轉,2轉,3轉
--
左手 : 根音 + 原位,1轉,2轉,3轉 ,
右手 : 根音(for Triads)或特色音(for 7th & 6th & tension)
- 和弦種類
-- Triads (Major , Minor, Diminshed[C0], Augmented[C+], Suspended 4th[Csus4])
-- 7th & 6th
--- Major 7th
--- Dominant 7th
--- Minor 7th
--- Minor 7th b5[Cm7b5](半減七)
--- Major 6th
-- Tensions 9th (Ch3)
--- Major 9th
--- Dominant 9th
--- Minor 9th
--- Major 69
--- Minor 69
-- Tensions 9/11/13 (Ch4)
--- Major 13
--- Dom 13
--- Minor 7th b5 b13
--- Minor 7th 11th
--- Minor 7th b5 11th
-- Altered Tensions (Ch5)
-- dom 7th b9
-- dom 7th #9
-- dom 7th b9 b13
-- dom 7th #9 b13
-- dom 79 b13
-- dom 79 #11
-- II V I w/ tension (Ch6)
---[1] major tone w/ natural tension
Pattern : IIm7(9) -> V7(9, 13) -> IM7(9)
--- [2] major tone w/ dom7 alt. tension ( derived from [1] & change V7 tension to flat)
Pattern : IIm7(9) -> V7(b9, b13) -> IM7(9)
--- [3] minor tone ([TODO] why V7 is not in minor mode? but I is m7?)
Pattern : IIm7(b5) -> V7(b9,b13) -> Im7(9)
--- [4] IM to Im ( derived from [1] , but change IM to Im)
Pattern : IIm7(9) -> V7(9, 13) -> Im7(9)
--- [5] Im to IM (derived from[3] but change Im to IM)
Pattern : IIm7(b5) -> V7(b9,b13) -> IM7(9)
-- UST (Ch7)
-- Voicings in 4th (Ch8)
[Challo] : same as 5-Part Fourth Vocings mentioned in book : JazzPiano(Ch9, Ray Santisi).
[1] The point is to find 4th voicing w/ tension and most of interval is 4 , but 1 major triads is allowed.
Because 5 notes are play at same time, there will be 3 ~ 4 fourth interval show up
[2] In book : JazzPiano, the fourth voicings are categoried w/ 2 group : Diatonic fourth & Non Diatonic Fourth
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