Relative pitch practicing for piano player w/ perfect ptich

For people w/ "perfect pitch" , it may not easy to own the "relative pitch" in the meanwhile. But fortunately for piano player that, our hand is like a ruler we could use our image for "gesture" in both hand. But we need do some work to get use to the "ruler" -- that's to play tone interval note w/ fixed finger. 

Take chord C for example 

For Right hand:  

R1 for C & #C & D

R2 for bE & E & F

R3 for bG & G & #G

R4 for A & #A & B

R5 for C only (it's permanently fixed)

For Left hand:

L5 for C & #C & D

L4 for bE & E & F

L3 for bG & G & #G

L2 for A & #A & B

L1 for C only (it's permanently fixed)

When playing upper or lower octave notes,just keep same gesture.  So we could sense the interval w/ "image" easily instead of "confused sound of perfect pitch".

specialist@

Taipei

2015/12/17

音樂的札記@20150831

@不知道是不是多練習percussion的關係, 整個人節奏似乎變更快了. 以前捉不太準的快節奏曲子,似乎都在手掌中安份下來

@聽完古曵真則的鋼琴大師班,覺得藝術音樂這種事情還是給專業的音樂系去處理吧...凡夫俗子還是將voicing跟timing捉準就好....Flute Sonata by Kapustin, 真特別, 應該是現代樂的曲子, 怎麼聽起來都像Jazz? 很棒的voicing~ 最銘心刻苦的感受莫過於, 伴奏不是伴音, 而是合奏~

Yamaha DC2XE3

src:
http://www.gistpianocenter.com/player-pianos/disklavier/dc2xe3.php
http://www.gistpianocenter.com/player-pianos/disklavier/downloads/disklavier-e3-flyer.pdf
http://asia.yamaha.com/en/products/musical-instruments/keyboards/disklaviers/e3_series/c2x-dkv/?mode=model
http://piano.anow.com.tw/showroom/mallset_u.php?SOB=18910&Nm=%E8%87%AA%E5%8B%95%E6%BC%94%E5%A5%8F%E9%8B%BC%E7%90%B4%E5%8A%A0%E8%A3%9D%E7%B3%BB%E7%B5%B1

pdf:
https://drive.google.com/file/d/0B543p5wfySTQSTFFU01sZ2VBX28/edit?usp=sharing
https://drive.google.com/file/d/0B543p5wfySTQdWJBSFRlbXRJN0E/edit?usp=sharing

notes:

14'7/23 : 真想弄一台~

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book : 爵士鋼琴和聲

src:

spreadsheet:
https://drive.google.com/file/d/0B543p5wfySTQa2Y0UzF4ei1KaUE/edit?usp=sharing



notes:

14'7/20 :
- Practice mode 基於251
--
左手: 根音,
右手: 原位,1轉,2轉,3轉
--
左手 : 根音 + 原位,1轉,2轉,3轉 ,
右手 : 根音(for Triads)或特色音(for 7th & 6th & tension)


- 和弦種類
-- Triads (Major , Minor, Diminshed[C0], Augmented[C+], Suspended 4th[Csus4])
-- 7th & 6th
--- Major 7th
--- Dominant 7th
--- Minor 7th
--- Minor 7th b5[Cm7b5](半減七)
--- Major 6th

-- Tensions 9th (Ch3)
--- Major 9th
--- Dominant 9th
--- Minor 9th
--- Major 69
--- Minor 69

-- Tensions 9/11/13 (Ch4)
--- Major 13
--- Dom 13
--- Minor 7th b5 b13
--- Minor 7th 11th
--- Minor 7th b5 11th

-- Altered Tensions (Ch5)

-- dom 7th b9
-- dom 7th #9
-- dom 7th b9 b13
-- dom 7th #9 b13
-- dom 79 b13
-- dom 79 #11

-- II V I w/ tension (Ch6)
---[1] major tone w/ natural tension
Pattern : IIm7(9) -> V7(9, 13) -> IM7(9)

--- [2] major tone w/ dom7 alt. tension  ( derived from [1] & change V7 tension to flat)
Pattern : IIm7(9) -> V7(b9, b13) -> IM7(9)

--- [3] minor tone ([TODO] why V7 is not in minor mode? but I is m7?)
Pattern : IIm7(b5) -> V7(b9,b13) -> Im7(9)

--- [4] IM to Im ( derived from [1] , but change IM to Im)
Pattern :  IIm7(9) -> V7(9, 13) -> Im7(9)

--- [5] Im to IM (derived from[3]  but change Im to IM)
Pattern : IIm7(b5) -> V7(b9,b13) -> IM7(9)


-- UST (Ch7)


-- Voicings in 4th (Ch8)
[Challo] : same as 5-Part Fourth Vocings mentioned in book : JazzPiano(Ch9, Ray Santisi).
[1] The point is to find 4th voicing w/ tension and most of interval is 4 , but 1 major triads is allowed.
Because 5 notes are play at same time, there will be 3 ~ 4 fourth interval show up
[2] In book : JazzPiano, the fourth voicings are categoried w/ 2 group : Diatonic fourth & Non Diatonic Fourth













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