2014年7月22日 星期二

Yamaha DC2XE3


src:
http://www.gistpianocenter.com/player-pianos/disklavier/dc2xe3.php
http://www.gistpianocenter.com/player-pianos/disklavier/downloads/disklavier-e3-flyer.pdf
http://asia.yamaha.com/en/products/musical-instruments/keyboards/disklaviers/e3_series/c2x-dkv/?mode=model
http://piano.anow.com.tw/showroom/mallset_u.php?SOB=18910&Nm=%E8%87%AA%E5%8B%95%E6%BC%94%E5%A5%8F%E9%8B%BC%E7%90%B4%E5%8A%A0%E8%A3%9D%E7%B3%BB%E7%B5%B1

pdf:
https://drive.google.com/file/d/0B543p5wfySTQSTFFU01sZ2VBX28/edit?usp=sharing
https://drive.google.com/file/d/0B543p5wfySTQdWJBSFRlbXRJN0E/edit?usp=sharing

notes:

14'7/23 : 真想弄一台~

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2014年7月19日 星期六

book : 爵士鋼琴和聲

src:


spreadsheet:
https://drive.google.com/file/d/0B543p5wfySTQa2Y0UzF4ei1KaUE/edit?usp=sharing



notes:

14'7/20 :
- Practice mode 基於251
--
左手: 根音,
右手: 原位,1轉,2轉,3轉
--
左手 : 根音 + 原位,1轉,2轉,3轉 ,
右手 : 根音(for Triads)或特色音(for 7th & 6th & tension)


- 和弦種類
-- Triads (Major , Minor, Diminshed[C0], Augmented[C+], Suspended 4th[Csus4])
-- 7th & 6th
--- Major 7th
--- Dominant 7th
--- Minor 7th
--- Minor 7th b5[Cm7b5](半減七)
--- Major 6th

-- Tensions 9th (Ch3)
--- Major 9th
--- Dominant 9th
--- Minor 9th
--- Major 69
--- Minor 69

-- Tensions 9/11/13 (Ch4)
--- Major 13
--- Dom 13
--- Minor 7th b5 b13
--- Minor 7th 11th
--- Minor 7th b5 11th

-- Altered Tensions (Ch5)

-- dom 7th b9
-- dom 7th #9
-- dom 7th b9 b13
-- dom 7th #9 b13
-- dom 79 b13
-- dom 79 #11

-- II V I w/ tension (Ch6)
---[1] major tone w/ natural tension
Pattern : IIm7(9) -> V7(9, 13) -> IM7(9)

--- [2] major tone w/ dom7 alt. tension  ( derived from [1] & change V7 tension to flat)
Pattern : IIm7(9) -> V7(b9, b13) -> IM7(9)

--- [3] minor tone ([TODO] why V7 is not in minor mode? but I is m7?)
Pattern : IIm7(b5) -> V7(b9,b13) -> Im7(9)

--- [4] IM to Im ( derived from [1] , but change IM to Im)
Pattern :  IIm7(9) -> V7(9, 13) -> Im7(9)

--- [5] Im to IM (derived from[3]  but change Im to IM)
Pattern : IIm7(b5) -> V7(b9,b13) -> IM7(9)


-- UST (Ch7)


-- Voicings in 4th (Ch8)
[Challo] : same as 5-Part Fourth Vocings mentioned in book : JazzPiano(Ch9, Ray Santisi).
[1] The point is to find 4th voicing w/ tension and most of interval is 4 , but 1 major triads is allowed.
Because 5 notes are play at same time, there will be 3 ~ 4 fourth interval show up
[2] In book : JazzPiano, the fourth voicings are categoried w/ 2 group : Diatonic fourth & Non Diatonic Fourth













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book : JazzCompositionTheoryAndPractice

src:




notes:



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10 Ways To Dominate Dominant Seventh Chords

src:


pdf:
https://drive.google.com/file/d/0B543p5wfySTQRnczQWF4S29vVkE/edit?usp=sharing


notes:


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offbeat, backbeat, upbeat, downbeat

src:
http://en.citizendium.org/wiki/Beat_(music)

pdf:
https://drive.google.com/file/d/0B543p5wfySTQR2F0Tkx4bW5FU2c/edit?usp=sharing

notes:
14'7/20 :
downbeat : 1st beat of a measure
upbeat : the intrdouction for downbeat
backbeat : 2 , 4
offbeat  :   1 & 2 & 3 & 4 &  --> where '&' means offbeat


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2014年7月7日 星期一